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College of Arts and Sciences

Painting: 'La Belle Dame
        Sans Merci' by Sir Frank Dicksee

"La Belle Dame Sans Merci" by Sir Frank Dicksee

Arthurian Literature & Art

Part I: Celtic and Medieval

Part II: Romantic, Victorian, Modern


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Part II Romantic/Victorian/Modern Index


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Poems and Paintings: Romantic/Victorian



Tapestry: 'The Arming and Departure of the Knights of
            the Round Table on the Quest for the Holy Grail,'
            designed by Edward Burne-Jones

The Arming and Departure of the Knights of the Round Table on the Quest for the Holy Grail,
designed by Edward Burne-Jones. Also called "The Quest for the Holy Grail."
Another image here, with commentary.

General


La Belle Dame Sans Merci (Keats)

Painting: 'La Belle Dame sans Merci' by Frank Dicksee     Painting: 'La Belle Dame sans Merci' by J. W. Waterhouse     Painting: 'La Belle Dame sans Merci' by Walter Crane     Painting: 'La Belle Dame sans Merci' by Arthur Hughes

       La Belle Dame sans Merci        La Belle Dame sans Merci       La Belle Dame sans Merci        La Belle Dame sans Merci

      by Frank Dicksee                     by J. W. Waterhouse                  by Walter Crane                       by Arthur Hughes




Painting: 'La Belle Dame sans Merci' by Frank Cowper

La Belle Dame
sans Merci

by Frank Cowper


The Lady of Shalott (Tennyson)

Painting: 'I am half sick of shadows' by J. W. Waterhouse     Painting: 'The Lady of Shalott' by Elizabeth Siddal     Painting: 'I am half-sick of shadows' by Sidney Meteyard      Painting: 'The Lady of Shallot' by J. W. Waterhouse

  'I am half sick of shadows'          The Lady of Shalott                    'I am half-sick of shadows'           The Lady of Shallot    

   by J. W. Waterhouse               by Elizabeth Siddal                         by Sidney Meteyard               by J. W. Waterhouse



Excerpt: Jan Marsh, Pre-Raphaelite Women, 1987/1998, p. 152.

Painting: 'The Lady of Shalott' by William Holden Hunt

The Lady of Shalott
by William Holden Hunt
Check out picture details.

"Nevertheless, it is hard to read his, or the other, images as anything but an oblique account of the confined and restricted world of the Victorian woman --accursed and prohibited by virtue of her sex alone--and the dire consequences attendant on rebellion. The rejection of seclusion in the shadowy sphere of prescribed femininity, where the approved activity is weaving or embroidery, leads immediately to ostracism and social death. The enclosed rooms in which these ladies live, looking out on inviting sunlit landscapes, and the tangled threads binding their vigorous limbs, are surely metaphors of woman's condition, signifying the docile, passive, reflective and domestic role that dominated Victorian ideas of femininity. The lady cannot break from her constraints: her gesture of independence provokes the curse. It is interesting that most artists chose to depict this particular moment, so that their ladies are frozen forever in their decision of defiance."





Painting: 'The Lady of Shalott' by J. W. Waterhouse        Painting: 'The Lady of Shalott' by John Grimshaw        Painting: 'The Lady of Shalott' by Arthur Hughes

The Lady of Shalott                              The Lady of Shalott                                        The Lady of Shalott    

  by J. W. Waterhouse                              by John Grimshaw                                           by Arthur Hughes       





Painting: 'The Lady of Shalott' by G.E. Robertson


The Lady of Shalott by G.E. Robertson




Painting: 'Sir Galahad' by George Frederick Watts

Sir Galahad
by George Frederick Watts

Idyll's of the King (Tennyson)


  • The Idylls of the King--e-text.



Painting: 'Chivalry' by Frank Dicksee        Painting: 'Guinevere's A-Maying' by John Collier        Painting: 'Morgan le Fay' by Frederick Sandys

   Chivalry                                      Guinevere's A-Maying                            Morgan le Fay

           by Frank Dicksee                                  by John Collier                                by Frederick Sandys       





Painting: 'The Beguiling of Merlin' by Edward Burne-Jones        Painting: 'Lancelot Fights Mador' by N. C. Wyeth        Painting: 'The Last Sleep of Arthur' by Edward Burne-Jones

The Beguiling of Merlin                    Lancelot fights Mador                           The Last Sleep of Arthur     

  by Edward Burne-Jones                          by N. C. Wyeth                                by Edward Burne-Jones       




Painting: 'Guenevere' by William Morris

Guenevere
by William Morris

The Defence of Guenevere (William Morris)




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19th-20th Century Arthurian Legend


Tristan and Isolde (Wagner/Bédier/Cocteau)


Painting: 'Tristan and La Belle Isoude' by by D. G. Rossetti     Painting: 'Tristan and Isolde' by Edmund Leighton     Painting: 'Tristan and Isolde' by J. W. Waterhouse     Painting: 'The Death of Tristram' by Marianne Stokes

Tristan and La Belle Isoude              Tristan and Isolde                  Tristan and Isolde             The Death of Tristram      

by D. G. Rossetti                    by Edmund Leighton              by J. W. Waterhouse             by Marianne Stokes    






The Wasteland (T. S. Eliot)


Painting: 'Persistence of Memory' by Salvador Dali


Persistence of Memory by Salvador Dali



Painting: 'The Scream' by Edvard Munch

The Scream
by Edvard Munch

  • The Wasteland by T. S. Eliot --excellent introduction/study guide to The Wasteland summarizing some key points about Fraser's Golden Bough and Jessie Weston's From Ritual to Romance.
  • The Fisher King --good survey of the development of the Fisher King symbol from Chretien through Jessie Weston.
  • An Introduction to From Ritual to Romance --helpful introduction to Jessie Weston's classic (see next listing).
  • From Ritual to Romance --Jessie Weston's classic study of pagan myths/rituals from which Arthurian legends derive. Recommended chapters:



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Recent Pop Culture, Literature, and Films



Movie Advertisement: 'First Knight'        Book Cover: 'The Mists of Avalon'

Note: Bradley cover artist: Braldt Bralds

Fiction



Movies



Comic Books and Role-Playing Games




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Go to Part I: Celtic/Medieval Arthurian Literature



  • Return to 'Arthurian Literature and Art, Part I: Celtic and Medieval.'
  • Return to the 'Gender, Literature, and Art Index.'
  • Go to 'The Ophelia Page.'


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File posted: 08/05/2006
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